In the world of music manufacturing, distinctive tales of collaboration, camaraderie, and mutual respect usually come up. One such heartwarming story lately unfolded, involving celebrated music producer Big Sancho and gifted singer-songwriter (G)I-DLE‘s Soyeon. Their shared journey, dating back years, is highlighted by a symbolic memento in Big Sancho’s studio – an image of Soyeon. This image’s significance was detailed throughout a candid chat with GALATIKA on their YouTube channel.

The inception of Big Sancho’s new studio coincided with the making of the “Oh my god” album. It was a transitional interval for the producer who, whereas establishing his new workspace, discovered himself financially stretched. The bills had piled up, and like many artists pursuing their ardour, he was pouring each penny into his dream. Despite these circumstances, his dedication was unwavering, and he strived to create an setting that would nurture his artistic prowess.

When the Oh My God album got here out… It was after I moved to a different studio. I didn’t have any cash whereas I used to be making it. So I scraped up the cash from all over the place and barely made [the studio].

— Big Sancho

With the discharge of the “Oh my god” album, a major turning level arrived. The album’s success and subsequent royalties not solely alleviated Big Sancho’s monetary pressure but additionally served as a testomony to the fruitful collaboration between him and Soyeon. To commemorate this, Big Sancho hung a photograph of Soyeon in his studio, a tribute to their shared achievement.

Then when the royalties got here in, I paid again each cash that I scraped, after which… I hung Soyeon’s image. This studio is yours! Soyeon!

— Big Sancho

The gesture embodies extra than simply gratitude; it signifies recognition of Soyeon’s expertise, their shared historical past, and the success their collaboration has introduced. It serves as a reminder of their journey within the music trade, a journey marked by laborious work, dedication, and shared victories.

This sentiment seemingly resonates past Big Sancho and his studio. During the identical interview, GALATIKA shared an identical narrative. When ITZY‘s Yeji and Ryujin visited their studio, GALATIKA expressed their gratitude for the artists’ contribution to the success of their studio.

I mentioned, ‘Yeji, you made this studio for me.’ To Ryujin I mentioned, ‘Ryujin! This is how you made this studio!’ [doing “WANNABE” choreography]. I advised them as a result of it’s true. The artists labored laborious!

— GALACTIKA

This shared feeling between Big Sancho and GALACTIKA underscores the ingrained appreciation and esteem prevalent within the Okay-Pop manufacturing sphere. It emphasizes the symbiotic relationship between artists and producers, illustrating how their mutual achievements can lay the muse for future progress and prospects.

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