In an unique interview with The Recording Academy, TWICE opened up in regards to the Ok-Pop trade’s evolution and the ever-growing generations of idol teams. The members, significantly Mina, Jihyo, Tzuyu, and Jeongyeon, had insightful issues to share, portray a vivid image of the trade from their perspective.

Mina addressed the general public’s fascination with discovering “the next generation” of Ok-pop, noting how every technology is related to distinctive developments and traits. She believes these divisions are made so that folks can bear in mind and cherish every technology for its distinct colour and character. With the seek for “the next generation,” she expects individuals to proceed this custom of appreciating every technology of idol teams for its distinctive attributes.

Each technology has their very own developments and traits, so I feel individuals divide them as a result of they need to bear in mind and cherish every particular technology by their very own colour.

— TWICE’s Mina

Despite the fixation on generations, Jihyo expressed her want for followers to get pleasure from their music with out concentrating an excessive amount of on the technology it aligns with. This outlook highlights the universality of music and its means to transcend temporal classifications, reflecting the true essence of Ok-Pop: a style that thrives on its numerous musicality quite than its age-based categorization.

We would like to see everybody having fun with our music with out an excessive amount of concentrate on which technology it’s.

— TWICE’s Jihyo

However, the assertion that stirred essentially the most dialog was Jeongyeon’s opinion on the long run course of Ok-pop. According to her, Ok-Pop artists as we speak are teeming with expertise and sweetness, traits which have turn out to be the style’s cornerstone. Looking forward, Jeongyeon voiced her hopes for artists to discover extra music and ideas that align with their age.

I feel it will be nice if we may see extra music and ideas that go well with their [idol groups’] age.

— TWICE’s Jeongyeon

This assertion suggests a shift from the standard strategy of Ok-Pop, the place age isn’t a figuring out consider the kind of music and idea artists select to specific. By advocating for extra age-appropriate ideas, Jeongyeon is basically emphasizing the necessity for extra sensible portrayals within the trade.

In an additional fascinating tackle the identical query, Tzuyu expressed her need for a rise in collaborations between artists in the way forward for Ok-Pop. Tzuyu believes that these partnerships can result in “unexpected, fun elements” that would breathe new life into the style.

As Ok-Pop strikes ahead, the emphasis appears to be on authenticity and relatability quite than sticking to inflexible generational definitions. This evolution, whereas a departure from the standard Ok-Pop strategy, may improve the style’s attraction and hold it thriving for years to come back.

TWICE’s ideas on the Ok-pop trade are reflective of their expertise and progress as a gaggle. Their views, significantly Jeongyeon’s advocacy for extra age-appropriate ideas, counsel a maturing trade that is able to evolve and develop alongside its artists.

TWICE

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