Guys, don’t you assume that the conduct of New denims charting within the US is bizarre?

From the surface, it seems to be like they’ve numerous hits and are vastly common amongst locals, however how come they spend 3 weeks on the Billboard Hot 100 with out getting into the US streaming chart? All BLACKPINK title songs since Ddu-de Ddu-du chart there and Fifty-Fifty acquired its entry instantly alongside the debut of Cupid on the Hot 100.

I admit I didn’t assume a lot about it initially as a result of Twice additionally didn’t make the US Streaming Chart though that they had two Hot 100 entries. But Twice solely spent one week on the official Billboard charts.

New denims stayed there for 3 weeks although, and though we all know that New denims is vastly recognized within the Ok-pop neighborhood, an US Streaming Chart entry would show the success and recognition HYBE and Min Heejin’s Ador have been claiming to them.

The solely believable purpose I might discover for that is royalty-driven algorithms instruments that enhance New denims attain on Spotify and Apple Music. It concurrently decreases the equal worth of 1 stream.

How can a tune handle to hit 500k every day streams for months within the US like Ditto and OMG (surpassing even BLACKPINK’s largest hits in gathered charting streams within the nation in just a few weeks) and never be capable of chart in Billboard most dependable streaming  chart for that stated nation?

It’s unhappy that HYBE/Ador is keen to vary the best way of listening simply to attempt to discover another world front-runner to BTS.